My research explores the instability of matter and the possibility of regeneration through processes of dismantling and assembly. I create ephemeral installations from everyday objects rearranged in unusual ways; the materials and compositional techniques emphasize the precarious nature of existence. For several years, my work has been inspired by mutualism, a natural phenomenon in which different species coexist to mutual advantage. This research also unfolds within my long-term collective practice as co-founder of Jukai. The resulting symbiotic organisms—subject-objects that have reached the end of their lives—regenerate into new forms and meanings. Over time, this research has produced a series of “symbiotic works” that tell the story of interactions between heterogeneous species and materials, drawing on botanical, zoological, and anthropological imagery. Broadly, mutualistic symbiosis can also inspire human society: when diverse groups coexist, shared effort becomes a resource, offering an alternative to the “law of the strongest” that often governs social dynamics.